Our Country’s Good to Play at The Carousel Theatre

Our Country’s Good by Timberlake Wertenbaker will play in the Clarence Brown 
Theatre’s Carousel Theatre October 3-20, 2014.  Based on real events, this 
award-winning drama is an evocative look at a moment in history — the 
founding of a nation —and an inspiring tale about the transforming power of 
theatre.  The production is sponsored by the Clayton Foundation.  It contains 
brief nudity and strong language. A staged reading of The Recruiting Officer 
immediately following the Friday, October 11 performance and a talk back with 
the director, dramaturg and cast immediately following the Sunday, October 13 
matinee also are associated with this production.

In January 1788, the first of the British prison ships arrive at Botany Bay, 
Australia and settle the penal colony at Port Jackson, the site of current-day 
Sydney. Many of the prisoners have committed minor crimes and their wardens 
are military men who fought and lost the war against the American colonies. 
When hope and supplies run low, a lieutenant tries to increase morale by 
staging a comedy, The Recruiting Officer by George Farquhar, using the 
convicts as the cast.

In writing the play, which is based on the novel The Playmaker by Thomas 
Keneally (author of Schindler’s List), Wertenbaker wanted “ to write about what 
it means to be brutalized, what it means to live without hope, and how theatre 
can be a humanizing force.” 

The production is directed by CBT Producing Artistic Director Calvin MacLean.
“Our Country’s Good imagines a purpose for the Theater that is not often 
discussed, even among theater people. In this inhuman society, Wertenbaker 
champions the theater as an important agent in the process of forging a civil 
society. As the convicts rehearse their play, and as their jailers wrestle with its 
affect upon the life of the colony, we are reminded of the fact that from these 
origins a nation is built. And we are also reminded that in that first wretched 
year, someone thought it a good idea to “pass the time” by putting on a play – 
something to divert, to entertain, and as the play suggests, to prompt 
change,” MacLean said.  

Calvin MacLean (Director) is the Theatre Department Head and CBT Company 
Producing Artistic Director. CBT credits: A Flea in Her Ear, The Life of Galileo, 
The Secret Rapture, A Streetcar Named Desire (with Dale Dickey), Amadeus 
(with the Knoxville Symphony Orchestra) Kiss Me, Kate and Sweeney Todd 
(with the Knoxville Symphony Orchestra and Dale Dickey). Previously Head of 
Directing at Illinois State University, he also was the Artistic Director of the 
Illinois Shakespeare Festival for 11 seasons. Professionally active in Chicago, 
his productions – mostly at the Famous Door Theatre – earned several 
prestigious Joseph Jefferson Awards for Outstanding Production and 
Outstanding Direction. Most notable was Joshua Sobol’s Ghetto, a production 
that ran for seven months and honored with four Jeff Awards including the 
Michael Maggio Award for Outstanding Direction of a Play. 

CBT artist in residence Neil Friedman will play the role of Captain Arthur Phillips, 
among others.  CBT credits: On the Razzle, A Raisin in the Sun, Kiss Me, Kate, 
Fuddy Mears, It’s a Wonderful Life: A Radio Play, Moonlight and Magnolias, The 
Music Man, The Merry Wives of Windsor, Man of La Mancha, Charley’s Aunt, 
Born Yesterday, A Christmas Carol, and The Triumph of Love. Chicago area 
credits include: The Court Theatre, Steppenwolf, Chicago Shakespeare, 
Goodman Theatre, Marriott Lincolnshire, and The Peninsula Players. Regional 
credits include: Utah Shakespeare Festival; Capitol Repertory, NY; The New 
Victory Theatre, NY; Coconut Grove Playhouse, FL; Children’s Theatre Company 
of Minneapolis; and, Austria’s Vienna English Theatre. Neil is a proud recipient 
of Chicago’s Joseph Jefferson Awards.

Actors from the UT Theatre MFA Acting program include: Micah-Shane Brewer 
(Captain David Collins, Royal Marine/Robert Sideway); Andrew Drake (An 
Aboriginal Australian); Angela Graham (Reverend Johnson/Duckling Smith); 
Stuart Matthews (Midshipman Harry Brewer, Royal Navy); Kyle Maxwell (Captain 
Jemmy Campbell, Royal Marine/John Arscott); Jess Milewicz (Lieutenant George 
Johnston, Royal Marine/Liz Morden); Cory O’Brien-Pniewski (Lieutenant Ralph 
Clark, Royal Marine);Cynthia Anne Roser (Lieutenant William Faddy, Royal 
Marine/Mary Brenham); Steve Sherman (Major Robbie Ross, Royal Marine/Ketch 
Freeman); and  Tramell Tillman (Captain Watkin Tench, Royal Marine/Black 
Caesar). 

UT Theater undergraduate actors include:  Andrew Price Carlile (Ensemble); Leo 
LaCamera (Ensemble); Heather Dickson (Ensemble); Nancy Duckles (Lieutenant 
Will Dawes, Royal Marine/Dabby Bryant/Meg Long); Mark Schelstrate 
(Ensemble); Sherridan Smee (Ensemble); and William Young (Ensemble). 

Designers for the production include:  Josafeth Israel Reynoso Calvillo  (Scenic 
Designer); Kyle Andrew Schellinger (Costume Designer); Kristen Geisler (Lighting 
Designer); Mike Ponder  (Sound Designer); Misty G. Anderson (Dramaturg); 
Terry Weber (Voice & Dialect Coach); John Sipes (Movement Coach) and  Alex 
Dearmin (Stage Manager). 

With a dual mission to train the next generation of theatre artists and to 
provide top quality professional theatre, the Clarence Brown Theatre at the 
University of Tennessee Knoxville is one of only 12 academic LORT (League of 
Resident Theatre) institutions in the nation.  Under the artistic direction of 
Calvin MacLean, the CBT season runs from August through May and features 
eight productions ranging from musicals to drama.  The 2013-2014 Season 
continues with: Ctrl+Alt+Delete, A Christmas Carol, The Whipping Man, The Trip 
to Bountiful, Wrens and Spamalot.  For more information or tickets, call the CBT 
Box Office at 865-974-5161 or visit us online at clarencebrowntheatre.com.  
Stay connected to the Clarence Brown Theatre on Facebook (Clarence Brown 
Theatre), follow us on Twitter (@ClarenceBrown) and view Clarence Brown 
videos on YouTube (Clarence Bro).
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